I made this top to wear to a piano concert at an outdoor pavilion. I wanted to look nice, but not over the top because it was outside. I wore this top with very dark wash jeans, high heeled sandals and what else? my DKNY cozy! (more…)
Ralphie baby. My relationship with Ralph Lauren has come full circle. In my 20’s I was a RL girl—all cashmere, velvet and luxurious woolens. That was B.C. (before children), when I had time to sew and I remember going to Marshall Field’s (gone, but not forgotten) to take intricate notes and measurements from a burgundy silk velvet turtleneck dress so I could copy the look. Ah…those were the days of easily dressing like a million bucks. (more…)
I live in the Chicago area and E jokes and says that in June we turn our furnace off and airconditioning on. Unfortunately, most springs are quite chilly and wearing a coat, especially at night is not uncommon. But I’m so sick and tired of my winter coats–I want to have them cleaned and put them away until next winter!
We have 2 good fabric stores in Chicago and Vogue Fabrics has a cashmere knit I’ve been lusting over. It’s a substantial weight (2 ply?) fine gauge knit, like you see on better sweaters. At about $55/yard I let Vogue “keep it” until I came up with a design idea.
I love, love, love this coat! The pictures don’t do it justice. When I get my dressform, I’ll try to take a better picture.
I used Burda 8009 and gave it a asymmetrical front and a stand-up collar and eliminated the front darts by simply folding them together before cutting. (You can purchase this pattern at The Sewing Place.com)
I unerlined the coat with mid-weight silk twill to stabilize the knit and give it some warmth. I attached the lining to each pattern piece, right sides together and sewed a 1/4″ seam around all sides, leaving an opening to turn. I left the armseye, sleeve and neckline edges raw. When I sewed the seams, I used a scant 1/2″ seam. I was a little worried about how it would look at the hem–lined to the edge and finished before the seams were sewn. But it worked great and was a better hem finish than anything else I could have done. And, wouldn’t you know it, I saw a similar finish on a very expensive designer skirt the other day. It was light weight silk and the hem was narrow hemmed first, then the side seams were sewn.
I lined the sleeve in the traditional way, hand stitching the sleeve cap of the lining to the armseye.
I added 6″ to the front edge of the left front pattern piece to create the asymmetric style. I did not add to the right front, so it does not underlap, it ends at the center front.
I found these great passementerie buttons at M.J. Trim.com . They have lots of unique buttons and trims. The internet has made it so much easier to design clothes exactly the way you envision them instead of having to settle for what can be found in the few good fabric stores.
This coat was so much fun to sew beacuse I took some chances and everything worked out very well as I went along. I had to put it aside for a few days to wait for the buttons to arrive and I hung it where I could see it and marveled at it often. Then it came time to make the buttonholes and for some idiotic reason, I made the top bottonhole too close to the edge (about 1/2″ from the edge, should’ve been more like 3/4″ -1″) I literally almost cried, because it was such a stupid thing to do and the rest of the project turned out so perfectly. But I followed my own advice in the Tutorial, “How to fix all small and medium sewing mistakes” and I got over it. It’s not exactly perfect, but close enough.
I’ll try to get a better pictue soon!
Ta-ta for now!
I’m outside, rain or shine for my job and I’ve been wanting a jacket with a hood so that I don’t have to carry an umbrella unless it’s pouring. There are soooo many great anoraks out there (see one of my favorites in Spring Wardrobe ’08 part 1) and once I found this Neue Mode Pattern it was easy to come up with a great design. (You can find this pattern at My Notions.com)
I used a black silk shantung I had in my stash. It was super easy to work with and has my favorite fabric quality, it presses beautifully with nice sharp creases. Neue Mode patterns don’t have seam allowances included and I’m just too lazy to draw all those seamlines, so I added seam allowances only where I had to–around the hood opening, the center front, the armseye and sleeve head. Then I used one size larger than normal. This worked out fine, in fact the pattern is so over-sized that I still had to take in the side seam allowances about 1 1/2″ on each side side (for a total of 6″!).
The pattern does not include lining, but I used the pattern pieces to cut a lining from a heavy satin. This gives the anorak a nice, hefty weight and it will be quite warm. Because I lined the jacket, I formed the casing by stitching the lining to the silk. I used elastic and sewed a 2″ wide belt to the ends of the elastic.
I used View A for length and added a 2″ band to the bottom to give the jacket a nice finishing at the hem.
I used the pocket from View C, but instead of regular zippers, I used invisible zippers for a sleeker look.
I wanted to use 3/4″ silver snaps, a la Prada, but I tried a sample and they just don’t work! I’ve never had luck with the snap kits available at the fabric store. Next time I’ll try to find a source online for commercial snaps. So I used covered buttons instead and I like the look, they go well with the dressy fabric.
Here’s a picture of the hood pattern piece. If you can see, I added a 1/4″ seam allowance around the front opening. I didn’t even draw it on, I just added it as I cut-out the pattern. I also added an overlap for the buttons and button holes. I added plenty (around 3″) and trimmed it to fit as I was sewing.
I added a cuff and pleated in the fullness of the sleeve to fit the cuff. I used a method for constructing the cuff that gives a nice square finish:
1. Interface cuff
2. Sew cuff to sleeve bottom, right sides together
3. Fold seam allowances to inside, fold long edge first and then the short ends
4. Fold cuff on fold line and topstitch into place
This works especially well on fabrics the press nicely.
I just ordered a dressform so I can take better pictures of my creations. It’s about time I had one, I’ve been sewing for over 30 years!
Ta-ta for now!
Okay, so now the weather seems to be changing and before long I’m going to freak-out because I have nothing to wear! So much for my plan of sewing ahead and having everything hanging in my closet ready to go.
Today’s fashions don’t suit me. I’m too short and too old to wear clothes that are loose fitting (I did that during 3 pregnancies and that’s enough!). In some ways, it’s easier because I see so little that I like, I’m not tempted to over-do. I’ve been scouring the web and the fashion magazines and have come up with a couple of really wearable looks:
I love this outfit from Erin Fetherston…the peach and “greige” palette looks spring-y and the drapey silhouette is flattering. (I just purchased some gorgeous peach silk crepe de chine–it will be perfect for this. Crepe de chine seems to be making a comeback which I’m delighted to see. It’s got a beautiful drape and one of my high priority fabric qualities, it presses like a dream.)
This Phillip Lim outfit is great looking–classic but with an updated look. I’m usually not into colored pants, but I’m going to make some and see if they’re comfortable to wear. Rolling the cuffs makes them look unfussy. I can see wearing these pieces over and over again.
Ta-ta for now!