I live in the Chicago area and E jokes and says that in June we turn our furnace off and airconditioning on. Unfortunately, most springs are quite chilly and wearing a coat, especially at night is not uncommon. But I’m so sick and tired of my winter coats–I want to have them cleaned and put them away until next winter!
We have 2 good fabric stores in Chicago and Vogue Fabrics has a cashmere knit I’ve been lusting over. It’s a substantial weight (2 ply?) fine gauge knit, like you see on better sweaters. At about $55/yard I let Vogue “keep it” until I came up with a design idea.
I love, love, love this coat! The pictures don’t do it justice. When I get my dressform, I’ll try to take a better picture.
I used Burda 8009 and gave it a asymmetrical front and a stand-up collar and eliminated the front darts by simply folding them together before cutting. (You can purchase this pattern at The Sewing Place.com)
I unerlined the coat with mid-weight silk twill to stabilize the knit and give it some warmth. I attached the lining to each pattern piece, right sides together and sewed a 1/4″ seam around all sides, leaving an opening to turn. I left the armseye, sleeve and neckline edges raw. When I sewed the seams, I used a scant 1/2″ seam. I was a little worried about how it would look at the hem–lined to the edge and finished before the seams were sewn. But it worked great and was a better hem finish than anything else I could have done. And, wouldn’t you know it, I saw a similar finish on a very expensive designer skirt the other day. It was light weight silk and the hem was narrow hemmed first, then the side seams were sewn.
I lined the sleeve in the traditional way, hand stitching the sleeve cap of the lining to the armseye.
I added 6″ to the front edge of the left front pattern piece to create the asymmetric style. I did not add to the right front, so it does not underlap, it ends at the center front.
I found these great passementerie buttons at M.J. Trim.com . They have lots of unique buttons and trims. The internet has made it so much easier to design clothes exactly the way you envision them instead of having to settle for what can be found in the few good fabric stores.
This coat was so much fun to sew beacuse I took some chances and everything worked out very well as I went along. I had to put it aside for a few days to wait for the buttons to arrive and I hung it where I could see it and marveled at it often. Then it came time to make the buttonholes and for some idiotic reason, I made the top bottonhole too close to the edge (about 1/2″ from the edge, should’ve been more like 3/4″ -1″) I literally almost cried, because it was such a stupid thing to do and the rest of the project turned out so perfectly. But I followed my own advice in the Tutorial, “How to fix all small and medium sewing mistakes” and I got over it. It’s not exactly perfect, but close enough.
I’ll try to get a better pictue soon!
Ta-ta for now!
To achieve the best results in tailored jackets and coats, know your limitations! Don’t try to make a fully tailored jacket in a light weight, light colored fabric; the inside structure is sure to show through. Fabrics with texture and subtle pattern are most forgiving. Natural fibers are easiest to press and that is half the battle of a beautifully made garment. If you have trouble with welt pockets, make a “fake” flap and skip the pocket. If you can’t topstitch straight, skip it. Some details are worth the extra time they take: Understitch seams wherever you can. Add mitered corners to reduce bulk. Hand tape roll lines so lapels fall correctly. Grade each fabric layer in seam allowances. Use a damp press cloth for crisp seams (use a seam roll to prevent seam allowance show through).
- My favorite tailoring book: Easy, Easier, Easiest Tailoring by Pati Palmer and Susan Pletsch
- I know fabric in ready to wear garments is not preshrunk, so I never preshrink. So far, I’ve never had a problem. If this makes you nervous, have fabric steam pressed or dry cleaned before you start
- Steam fusible interfacing before fusing– place interfacing, resin side down on fabric, hold steaming iron 1-2″ above interfacing for 5-10 seconds. Watch it shrink!
- Use Easy Knit to underline all pattern pieces; this keeps edges of interfacing and hand stitches from showing through. It adds body and some bulk to fashion fabric. Mark darts on the Easy Knit, cut out the dart, and fuse. This marks the dart perfectly on the fabric and reduces bulk in the dart
- For a softly tailored garment, a la Armani, use the Easy Knit method above and very lightweight interfacing
- For a perfect sleeve cap: Cut a bias strip 1 1/2″ wide and 12″ long from lambswool (the lining in neckties) or from a soft, loosely woven fabric. Stitch the lambswol to the wrong side of the sleeve head, from notch to notch, just inside the seam line, pulling slighltly taut as you sew. This adds a little ease so sleeve fits into armhole and gives the sleeve head a nice, rounded shape. Always stitch the sleeve into the armseye with sleeve against feed dogs and the jacket side up. A sleeve head is still needed!
- I like to use rayon twill lining to add some body
- Topstitch from 1/4” to 1/2″ from edge. The bulkier the fabric, the further away. Use a long stitch–6″ to 8″ per inch
- I found an awesome method for welt pockets at The Fashion Incubator, http://www.fashion-incubator.com/mt/archives/welt_and_paper_jig.html
- Use a felt, suede or ultrasuede undercollar. My favorite method comes from an old Butterick Pattern magazine. (See instuctions in Tutorials) Miter the corners of the uppercollar when turning under the edge
- Pressing is important, but too much makes a garment look old and worn out. I take my jackets and coats to the dry cleaners for a final press. Or, hang a jacket in the closet, sandwiched snugly between other clothes to “press” the lapel
- NEVER press on the right side without a press cloth
- Creases can be set by spraying with a solution of 25% vinegar, 75% water, covering with a press cloth and steam pressing on cotton setting